 | About Me | Jun 27, 2005 |
|  | dance interpretation of bencab's iconic sabel series bencab museum, baguio 2 october 2010 |
|  | lumix 14mm f1.7 |
The Leica is the pioneer 35mm camera. It is a German product - precise, minimalist, and utterly efficient. Behind its worldwide acceptance as a creative tool was a family-owned, socially oriented firm that, during the Nazi era, acted with uncommon grace, generosity and modesty. E. Leitz Inc., designer and manufacturer of Germany 's most famous photographic product, saved its Jews. And Ernst Leitz II, the steely-eyed Protestant patriarch who headed the closely held firm as the Holocaust loomed across Europe , acted in such a way as to earn the title, "the photography industry's Schindler." As soon as Adolf Hitler was named chancellor of Germany in 1933, Ernst Leitz II began receiving frantic calls from Jewish associates, asking for his help in getting them and their families out of the country. As Christians, Leitz and his family were immune to Nazi Germany's Nuremberg laws, which restricted the movement of Jews and limited their professional activities. To help his Jewish workers and colleagues, Leitz quietly established what has become known among historians of the Holocaust as "the Leica Freedom Train," a covert means of allowing Jews to leave Germany in the guise of Leitz employees being assigned overseas. Employees, retailers, family members, even friends of family members were "assigned" to Leitz sales offices in France , Britain , Hong Kong and the United States. Leitz's activities intensified after the Kristallnacht of November 1938, during which synagogues and Jewish shops were burned across Germany .. Before long, German "employees" were disembarking from the ocean liner Bremen at a New York pier and making their way to the Manhattan office of Leitz Inc., where executives quickly found them jobs in the photographic industry.* Each new arrival had around his or her neck the symbol of freedom – a new Leica. The refugees were paid a stipend until they could find work. Out of this migration came designers, repair technicians, salespeople, marketers and writers for the photographic press... Keeping the story quiet The "Leica Freedom Train" was at its height in 1938 and early 1939, delivering groups of refugees to New York every few weeks. Then, with the invasion of Poland on Sept. 1, 1939, Germany closed its borders... By that time, hundreds of endangered Jews had escaped to America , thanks to the Leitzes' efforts. How did Ernst Leitz II and his staff get away with it? Leitz Inc. was an internationally recognized brand that reflected credit on the newly resurgent Reich. The company produced range-finders and other optical systems for the German military. Also, the Nazi government desperately needed hard currency from abroad, and Leitz's single biggest market for optical goods was the United States . Even so, members of the Leitz family and firm suffered for their good works. A top executive, Alfred Turk, was jailed for working to help Jews and freed only after the payment of a large bribe. Leitz's daughter, Elsie Kuhn-Leitz, was imprisoned by the Gestapo after she was caught at the border, helping Jewish women cross into Switzerland . She eventually was freed but endured rough treatment in the course of questioning. She also fell under suspicion when she attempted to improve the living conditions of 700 to 800 Ukrainian slave laborers, all of them women, who had been assigned to work in the plant during the 1940s. (After the war, Kuhn-Leitz received numerous honors for her humanitarian efforts, among them the Officier d'honneur Des Palms Academic from France in 1965 and the Aristide Briand Medal from the European Academy in the 1970s.) Why has no one told this story until now? According to the late Norman Lipton, a freelance writer and editor, the Leitz family wanted no publicity for its heroic efforts. Only after the last member of the Leitz family was dead did the "Leica Freedom Train" finally come to light. It is now the subject of a book, "The Greatest Invention of the Leitz Family: The Leica Freedom Train," by Frank Dabba Smith, a California-born Rabbi currently living in England .
|  | FIELD TEST: LUMIX G LENS 20MM F1.7 ON THE GF1 photos shot 26 april 2010 between 11:40 am and 4:11 pm |
|  | matched with a 20mm f1.7 lens aperture priority all at f1.7 |
|  | stop drooling, mark p! |
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Miroslav Tichy: A voyeur with a home-made camera
21-07-2006 11:15 | Jarka Hálková The photographer Miroslav Tichy became known in the Czech Republic only recently, after he achieved major success abroad. His unusual photographs have been exhibited in galleries in London, New York, Zurich and although they are of very poor technical quality visitors and critics are impressed. The photographs are now sold for up to ten thousand euros.

Nearly 80 years old, Tichy is regarded as a real eccentric by his neighbors in Kyjov, a small Moravian town. His work reflects his obsession with the female body. But while other photographers ask women to pose, and use the best equipment and store photographs with a big care, Tichy did the opposite. He used to hide in bushes and take pictures of unaware women and girls with his home-made cameras. Once developed they were thrown away and Tichy didn't care about them anymore.
 "They are all very careful observations of women from Kyjov and of everyday trivial activities. But soon you realize that these trivial situations such as someone sitting on a bench, women waiting for a bus, someone taking a T-shirt off at a swimming pool, are somehow extraordinary. Tichy managed to give this banality a feeling of exceptionality and rarity. Just part of a female body in his pictures can look very esoteric. There are so many magazines that offer much more nudity than Tichy but his photographs are different. A woman's tights between a knee and a skirt or a swimming costume in his pictures look somehow mysterious." Says Radek Horacek, the director of The Brno House of Art which is currently running an exhibition of Tichy's photographs. "It is like when an eleven years old boy falls in love, steals a photograph of his classmate and cherishes it in his notebook. Tichy even sketched on it, drew frames with a pen or a pencil. Some of the photographs were taken from TV, some were just thrown here and there. Some romantics say that there even are traces of mice nibbling at pictures in the unbelievable mess."
 In the 1940s Tichy studied at Academy of Fine Arts in Prague but after the communist takeover in 1948 he dropped out of the school and returned to Moravia. The solitary artist started with
paintings, figurative drawings and settled with photography, sticking to his main motive - women. Back in the 60s he used to make about 90 pictures a day. Unnoticed and unknown he behaved like a voyeur trying to capture a precious moment. "When I was a little boy, my grandmother used to tell me: "Wash your hands - otherwise you are going to be like Mirek Tichy." For my grandmother he was a forbidding example. For me he has always been a magnet," says Roman Buxbaum, the person who introduced the name Tichy to the world.
 The photographer's friend from childhood, he emigrated to Switzerland with his parents. When he after many years returned to his birthplace he discovered the photographs and started exhibiting them abroad. "These days there are plenty of artists that take photographs. They have the most modern digital equipment and the best computer software. They all try to make their pictures look crude. They want something like a document of a reality. But can you believe a thirty-year-old university graduate? Does he really know what is crude? It is simply impossible, especially in comparison to Miroslav Tichy. He lurks in a horrible worn out coat and - from behind bushes and walls - takes photographs of fragments of female nudity or the steps of a woman walking down a street."
 The exhibition in Brno has created a lot of interest, especially among locals. Some of them come hoping that they will recognize one of the many women and girls captured in the photographs. Others come to see what has made that strange old alcoholic man so famous. The photographs are puzzling. They are not focused, not well developed and damaged by weather and careless handling. They were never meant to be exhibited and even now Miroslav Tichy objects to the success and fame. He carefully chooses the people he talks to and shares his opinions with. He has described exhibitions as a waste of time and says this world is nothing more than "a double shit". "He had to take such bad photographs to be the best photographer. You can't take good photographs to be the best - but you have to take the worst to be the best.

"Pavel Vancat the author of a monograph about Miroslav Tichy paraphrases the photographer's own words about his approach and continues with his opinion. "I think these pictures have a really special atmosphere of the time when they were made. They have a special magic as work that has arisen from one man's endeavor. It is like a tombstone to one very special life. It might influence a lot of people. On the other hand, he stands quite aside from any other group of artists. And he is a quite solitary person. Many people might like it and many people do like it but I doubt that there will be something like a 'Tichy school'." To find out more information about the exhibition visit www.dumb.cz

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|  | nikon D60 nikkor AI-S 85mm f1.4 f1.4 at 1/250 sec ISO 1600 |
directed by mike alcazaren production design by butch garcia cinematography by boy yñiguez
Download the original: HERO.MPEG1.mp4 (47.1 MB)
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